Fine tune the input and output levels, and use the global mix control to blend your effect in with the dry signal. Lock rhythmic effects to a single tempo, or let them run free. And when you’ve created the perfect combination of effects, the Rack’s global controls let you treat the whole rack as a single plug-in. The Effect Rack makes it simple to build your own custom effect chains and define your signature sound. It turns a tried-and-true collection of powerful individual plug-ins into a virtually unlimited creative multi-effects system. The new Soundtoys Effect Rack is the centerpiece of Soundtoys 5. But combined in the new Soundtoys Effect Rack, they are indeed the ultimate effects collection.
#Soundtoys decapitator vst professional
Take modulation to new levels with the beat-synced rhythmic effects of PanMan, Tremolator, FilterFreak, and PhaseMistress.Īll of these individual elements are proven, powerful tools, trusted by professional mix engineers, musicians and sound designers everywhere. Recreate classic studio pitch, chorus and widening effects with Crystallizer and MicroShift. Transform your vocals with Little AlterBoy. Get a virtual history of echo and delay hardware with EchoBoy and PrimalTap. Saturate, compress and distort with Decapitator, Radiator, and Devil-Loc. Soundtoys 5 brings together our entire range of audio effects into one powerful collection. New Effect Rack, PrimalTap, and Little AlterBoy. Listen to how each model has it's own sound of beautiful agony when you hit the "Punish" button and crank it up.All 18 Soundtoys plug-ins. Not your standard stomp-box distortion, Decapitator gives you those unique qualities that only come from driving high end studio gear. This tool let's you drive hard and responds just like it's analog counterpart, it screams in pain. Our "Punish" button kicks in another chuck of gain to push it over the edge.
By adding analog modeled tone control we increased the sonic possibilities far beyond many of the originals and give you a remarkably flexible "analog" palette to create with.īecause we know that audio is not always nice, we've included a convenient way to make sure it's not nice. We picked some of the models that had the most distinct sounds, the models that had a flavor both subtle and extreme, and made them instantly accessible on the front panel. All of it so we could listen to how the sound changed and moved and created it's special vibe. In our lab we gathered so much cool analog gear. Our modeled tone control let's you shape and contour, and our mix control let's you mix back in the dry signal for parallel processing without the need for routing and submixes. The sound of real gear, but with the flexibility of software. Not a static snapshot (No convolution here) but a changing responsive model of all those tubes and wires (And careful notes), and transistors. You can hear the subtle changes reacting to the track, following the dynamics of the instrument. Analog Feelĭecapitator is more than just an emulation of the analog sound. That's why we took our time, bought and listened to all the great analog classics, and painstakingly created that magic for you in Decapitator. Used subtle to extreme, analog saturation is the golden child of great mixes. It can be used to beef things up, thin things out, give them some edge, fry them up nice, add a bit of warmth, pull things out of the mix, or even create a signature sound. It's used on drums, bass, vocals guitars, everything. Analog saturation has long been the magic mojo that engineers have used as their swiss army knife of mixing.
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